Chapter XXIII
The year 2003 gave no sign of any turning point. It arrived quietly, almost unnoticed, and for the first few months seemed merely an extension of the most peaceful period the Korycki family had known so far. Daily life on Wilanowska Street had already settled into its own rhythm. Małgorzata left for work or returned from a shift, Piotr looked after the children, wrote, traveled on his own business, and at times the apartment filled with the voices of all five of them. They were not prosperous, but the lack of money no longer threatened disaster every day. Nor was there complete harmony, yet the old conflicts had quieted for a while. Life no longer required them to defend themselves constantly against the next blow.
Ordinary life had become the greatest value. The children fell ill, recovered, quarreled, made up, and demanded attention. Someone had to prepare meals, answer the phone, go to the store, take one of them to the doctor, or keep an eye on another. The days were filled with small duties that no one remembers later, although they are precisely what make a home. Piotr no longer had to wonder every morning whether the family would still be living under the same roof that evening. He could plan the coming week, and sometimes even the following month.
Małgorzata's name day was celebrated with the family. The grandparents came, everyone sat around the table, and the children moved among the adults, sampling food that was supposed to wait for the guests. It was not an elaborate celebration. No one needed one. The mere fact that members of both families could enter the apartment without immediate tension mattered more than the tableware or the food on the platters. This was what their fragile peace looked like: it had never been signed or announced; for a while, no one simply started a new battle.
In February they went to Janów Podlaski. Traveling with the children required preparation, packing clothes and all the things that might prove necessary once they arrived, but the journey itself no longer carried the weight of earlier trips. Janów remained Małgorzata's world, full of her memories, family ties, and habits, yet Piotr had stopped treating every visit as an entry into foreign territory. They could eat dinner, talk, let the children enjoy time with their grandmother, and return to Legionowo without feeling that another unresolved matter had been left open behind them.
Then came Piotr's birthday, followed soon afterward by Paweł's. The boy was growing up and building a world of his own more clearly with each passing year, but during those peaceful months the family could still gather around him without settling old scores. There were good wishes, cake, small gifts, and the child's expectation that on this day everything should revolve around the birthday boy. Rozalka and Tomiś filled the apartment with movement. Paweł, older than his siblings, sometimes took on the role of their protector and at other times defended his own independence. Each child had a different bond with father and mother, yet outwardly they formed a family that was finally beginning to resemble an ordinary home.
The idyll was incomplete and certainly fragile, but it was real. It did not mean that there were no problems. It meant that the problems did not consume the whole of life. They could quarrel over some trivial matter in the morning and sit together at one table in the evening. They could worry about money and still plan a family trip. They could resent their relatives and nevertheless visit them for the holidays. Years later, those were the very months that proved hardest to describe, because happiness rarely leaves behind dramatic scenes. It remains in memory instead as light in the kitchen, children sleeping behind the wall, and the certainty that the next day everything will begin again.
At the beginning of April, Marianna Andrzejuk came to Wilanowska Street. She was to stay for a longer visit. It was not her first stay with her daughter and grandchildren, so no one saw anything unusual in it. For the children, their grandmother's arrival meant extra attention, stories, and the presence of someone who had known their mother since childhood and naturally entered into the daily life of the household. Małgorzata could count on help. Piotr accepted that the apartment would be more crowded for a while, but hospitality required patience.
At first Marianna took over the kitchen. Not formally, without any conversation or announcement of new rules. It simply became increasingly common for her to decide what should be cooked, when dinner should be served, and what the children ought to eat. She opened cupboards without asking, moved things around, selected ingredients, and issued instructions in the tone of someone who had not come to help but had returned to the place that rightfully belonged to her. It could be dismissed as the energy of an older woman unable to sit idle. It was also easy to persuade oneself that such minor friction was natural in a multigenerational family.
From the kitchen, her authority began to spread through the entire apartment. Marianna did not feel like a guest, and the longer her stay continued, the less she bothered even to keep up appearances. She made decisions about the children automatically, without checking whether their parents had already agreed on something. When Piotr said that a child could do something, his mother-in-law was capable of ruling the opposite. When he asked that they not be given something or not be allowed to go out, his view became merely one opinion among many—and not the most important one.
It did not happen suddenly. There was no single day on which Marianna sat down at the table and declared herself head of the family. Her advantage grew through small gestures: an answer given for Małgorzata, an order directed at a child, a comment made over her son-in-law's head. At best, Piotr was ignored. Sometimes his mother-in-law behaved as though she had not heard him. At other times she immediately corrected, expanded upon, or contradicted what he had said. Each incident on its own could be dismissed as trivial. Together they created a new order.
Małgorzata did not have to side openly with her mother. It was enough that she did not stop her interference. Silence worked like consent, and consent like an invitation to take the next step. Piotr found himself in an uncomfortable and humiliating position. Had he protested at the first small incident, he could easily have been portrayed as petty, unable to tolerate his mother-in-law's presence. Whenever he yielded, Marianna's next step became easier. A visit was turning into a slow takeover of the home, while everything still remained hidden beneath a cover of family courtesy.
Easter was approaching. The preparations, cleaning, and the children's anticipation of the holiday made it possible to pretend that nothing important was happening. Food had to be prepared, the youngest children watched, and visits arranged. Marianna moved through the Wilanowska apartment with increasing confidence. She did not ask what the hosts were planning. She informed them how things ought to be. Piotr watched with growing resentment, but he still did not want to provoke a quarrel before Easter. Yet he knew that the silence was not peace. It was more like a lid pressed tightly over a pot in which the pressure increased each day.
On Easter Sunday they all went to Jadwiga and Adam's apartment. The two grandmothers met at the holiday table, each convinced of her own special bond with the grandchildren. At first the conversation was ordinary. The children moved from one person to another, while the adults recalled the past few weeks and asked about health and daily activities. The apartment on Słowackiego Street had its limits, but that day everyone tried to make room for all the guests, together with their habits and ambitions.
Marianna eagerly told Jadwiga how deeply attached the grandchildren were to her. In her account, her stay in Legionowo became proof that she remained the children's most important grandmother, their closest confidante, and the person whose presence they could not do without. She did not say this directly. She did not have to. Her tone, her choice of examples, and the confidence with which she described her place in the grandchildren's lives combined into a clear message.
Jadwiga did not enter the competition. She merely said that Tomiś also visited her often and even called her apartment home. It was a brief statement and probably not intended to start a conflict. Yet it struck precisely the place that Marianna had no intention of yielding to anyone. She fell silent. For a moment she had no answer, as though the news of the child's ordinary closeness to his other grandmother had violated the order she had already established for herself.
When she recovered her confidence, she turned to Jadwiga:
"So, will you come to our place for dinner tomorrow?"
One word was enough. She did not say "to Gosia and Piotr's," nor did she ask the hosts on Wilanowska Street whether they had such plans. She invited them to her place—to the apartment of her daughter and son-in-law, where she had been staying as a guest for several weeks.
Jadwiga answered at once:
"If Gosia and Piotr invite us, we'll come."
She did not raise her voice. She did not need to. With one sentence she restored the proper order: the home had hosts, and Marianna was not one of them. The brief exchange lasted only a moment, yet it exposed what had until then been concealed in half gestures and things left unsaid. Marianna was no longer helping her daughter run the household. She was claiming the position of its lady.
There was no direct quarrel. The holiday table was not overturned, and no one stormed out, slamming the door. From the outside, the day could have appeared successful. Everyone ate and talked; the children probably remembered the food and the presence of their grandparents, not the brief sentence exchanged between the adults. Yet after they returned to Wilanowska Street, appearances ceased to matter.
Marianna stopped hiding her intentions. Since her position had been challenged, she decided to show that she had no intention of surrendering it. Her undermining of Piotr became open. When he told a child what time to return, his mother-in-law could change the hour. When he decided that something was permitted or forbidden, a comment, an objection, or a demonstrative disregard of his instruction followed immediately. She wanted to decide what the children ate, whether they could go out, and how long they could remain away from home. Their father was present, yet he was treated as a man deprived of the right to make the final decision.
This was not the concern of a grandmother who sometimes spoiled her grandchildren against their parents' wishes. Concern does not require the systematic destruction of a father's authority. Marianna was fighting a war for power, and the children became her most convenient weapon. Every concession from Piotr could be presented as her victory and proof that she was the one to be obeyed. Every objection gave her an opportunity to show her daughter and grandchildren that her son-in-law was quarrelsome, ungrateful, or excessively strict. The rules were simple: Marianna could interfere in everything, while Piotr was expected to endure it for the sake of family peace.
A campaign of covert skirmishes has one advantage over an open quarrel: the aggressor can pretend innocence for a long time. No words are spoken that can easily be quoted. There is no single act after which everyone will agree that a boundary has been crossed. Instead, there is constant undermining, correcting, and stripping every decision of its force. A man gradually discovers that in his own home he must explain to an outsider why he allowed his own child to go out or ordered the child to return. If he reacts, he is likely told that nothing has happened. If he remains silent, the boundary moves farther the next day.
Piotr saw more and more clearly that this was not about helping Małgorzata or loving the grandchildren. It was about hierarchy. Marianna wanted her son-in-law to understand that in her mother's presence Małgorzata was no longer, first and foremost, his wife, and the apartment was no longer his home. He was expected to accept the role of a man tolerated at his own table so long as he did not attempt to make decisions contrary to his mother-in-law's wishes.
Małgorzata's behavior was the most painful of all. She did not have to attack her husband. It was enough that she allowed her mother to do it for her. She did not restore Piotr's place as head of the household, did not tell Marianna that she was crossing boundaries, and did not end the dispute with the simple statement that decisions about the children belonged to their parents. Her passivity was not neutral. In a struggle for power, failure to object meant support for the stronger side.
For a long time Piotr did not want to force his wife to choose between her husband and her mother. Eventually, however, he understood that the choice had already been made, only without his participation. He suggested to Małgorzata that the visit should come to an end. He did not demand that she sever contact or cast Marianna out of the family. He wanted only to regain his own apartment and the right to raise his children without the constant supervision of someone who refused to recognize his position.
Marianna's departure did not restore the former idyll. A suitcase and a guest's belongings can be removed from an apartment, but the order revealed over several weeks cannot be so easily undone. Piotr now knew that peace in his home lasted only until relatives from outside decided to enter and take the helm. He also knew that at such a moment he could not be certain of his wife's support.
Outwardly, life went on. On May 18, the whole family attended Czarek Bożek's First Holy Communion. There were formal clothes, church, family photographs, and a table at which everyone was expected to behave as though nothing had changed. Such ceremonies have a force of their own. They focus attention on the child and allow adults to set their resentments aside for a few hours. The Koryckis still formed a family, traveled together, took part in the lives of their relatives, and returned to the same apartment. Yet the old certainty no longer stood behind that image.
In the summer they took the children to Szczypiorno for several days, also visiting Aunt Helena Pawelska in Śniadowo. The countryside, family places, and the rhythm of vacation offered a brief respite. The children had room to roam, the adults could get away from Wilanowska Street, and the trips they still took together preserved the appearance that the worst had passed. Afterward they went on to Janów.
The trip ended badly. Rozalka broke her arm. A vacation that was meant to be another peaceful part of the year turned into concern for the child, medical examinations, and the need to accept new limitations. The planned pilgrimage became impossible. The girl who a year earlier had managed to keep walking despite exhaustion and heavy rain now had to remain at home.
The broken arm was only an accident, one of those things that simply happen when children are growing up. It carried no hidden meaning. And yet it closely resembled what had happened to the family. From the outside, everything still appeared to be in place. The spouses lived together, the children grew, and relatives were visited. Inside, the fracture already existed. It could be immobilized, protected, and left untouched for a while, but it was impossible to pretend that it was not there.
Autumn arrived without major events. The days grew shorter, the children returned to their duties, Małgorzata worked, and Piotr continued trying to combine his professional activities with running the household. After the conflict with Marianna, no one declared a new war. Nor was there any reconciliation. What remained was caution and the knowledge that the struggle for power had not ended with his mother-in-law's departure. It had merely been postponed.
One day in late autumn, Małgorzata returned from a shift at the hospital. She entered the apartment wearing an expression that showed more than ordinary fatigue. She sat down in the middle of the living room and began to weep bitterly. She made no attempt to hide her tears from the children or withdraw to the bedroom. Her despair was placed at the center of family life like a message that everyone was meant to see.
"I'm pregnant," she told her husband.
There was no joy in her voice. There was not even the hesitant hope that might have appeared after their earlier experiences. There was sorrow and resignation, as though she were announcing a calamity that had befallen her against her will.
Paweł entered the room. He saw his mother crying and learned the reason for her despair. He sat down beside her and also burst into tears. She did not try to comfort him. She did not say that pregnancy was not a tragedy, that a child could not be welcomed from the first moment as a family disaster. She allowed her son to take her despair upon himself and join her in mourning a life that was only beginning.
Piotr watched them with distaste turning into revulsion. The scene was so exaggerated that it was almost grotesque: mother and son sat in the middle of the room, weeping over the news that a child had been conceived, while the child's father stood nearby like a stranger. No one asked what he felt. No one tried to share their fear with him or even explain the cause of their despair. He was confronted with a verdict already delivered: the new pregnancy was a catastrophe, and he was expected to witness the mourning for the peace they had supposedly just lost.
There was no concern for the family in any of this. Concern looks for a solution, shields children from fear, and allows spouses to speak without staging a public spectacle. Here, despair became a demonstration. Małgorzata did more than reject any joy in the new life. She drew Paweł into that rejection, making him participate in emotions that he should not have been made to carry as a child. The weeping boy confirmed her judgment of the situation while placing the father on the far side of an invisible barricade.
The Easter dispute had shown Piotr who wanted to rule his home. The autumn scene told him something worse: even without Marianna, her order remained within the family. Małgorzata and Paweł formed a closed circle to which the father had no access. Instead of bringing the spouses together, the new child was used from the first moment to mark the division between them.
The idyll had ended earlier, at the Easter table, although no one had yet said so aloud. By autumn, not even the appearances remained. In the living room on Wilanowska Street, two people mourned a child already conceived, while the child's father watched them and understood that in his own home he had once again found himself on the wrong side of the door.
End of Chapter XXIII


